HeadStuff • 23rd October 2026

Clayface Movie Review | Supervillain Horror Is A Mushy Pile of Goofiness and Gore - HeadStuff

When Martin Scorsese likened superhero movies to theme park rides, the umbrage taken by fans of the genre was vociferous. They pointed to their popularity and financial success. However, these measures have never stopped these films from attempting to transcend the confines of cowls and capes for some perception of respectability. Such measures are relative, of course, but time and again we’ve seen superheroes take on the contours of other genres to achieve wider acclaim.


Of course, not every...

Loud And Clear Reviews • 18th October 2026

Everytime Review: Remembrance of Things Past

Everytime captures the strangeness of the grieving process with empathy, skill and incredible grace. One of the year’s best films.


The poor soul that falls is Jessie (Carla Hüttermann). In Everytime’s prologue, we get to see her as a typical 16-year-old girl. She’s bright and optimistic, occasionally at odds with her family, but finding solace in socialising with her boyfriend Lux (Tristán López). The power of the film emanates from the moment of Jessie’s death, as three people attempt to mov...

Loud And Clear Reviews • 6th October 2026

Cameron Winter At Carnegie Hall Review

The beauty, intimacy and energy of Cameron Winter at Carnegie Hall confirm the generational skills of Winter and director Paul Thomas Anderson.


If One Battle After Another was prescient in its portrayal of a racially charged American police state, Anderson gets ahead of the curve again by filming Winter’s first solo show. This concert film sees the director and the musician he’s filming singing from the same hymnsheet; just as Anderson downsizes from the sprawl and anger of OBAA, Winter follo...

HeadStuff • 1st October 2026

Digger Movie Review | Cruise Chews The Scenery In Iñárritu’s Insufferable Farce - HeadStuff

Hollywood’s greatest onscreen egomaniac meets the industry’s most notable megalomaniac, and not a Coppola in sight. Digger arrives with all the bluster you’d expect from an Alejandro G. Iñárritu joint starring Tom Cruise, but the golden touch of Birdman and Amores Perros is sorely lacking from the Mexican auteur’s latest. What starts out as a broad farce about our overheating planet and the idiots running it segues into satire, surrealism, moral lessons and dystopian nightmare. For all these ele...

FILMHOUNDS Magazine • 16th September 2026

Director Lance Hammer Talks Queen At Sea - “It’s the most rewarding experience when you’re working with somebody that’s so committed to the art”

Arriving almost two decades after his debut, Ballast, won him the Best Director award at the Sundance Film Festival; writer-director Lance Hammer returns with his latest feature, Queen At Sea.
The film follows Amanda (Juliette Binoche), who, after walking in on her elderly parents in the throes of what appears to be a consensual sexual encounter, instinctively calls the police, believing her mother, Leslie (Anna Calder-Marshall), who is suffering from dementia, is incapable of giving consent to...

Loud And Clear Reviews • 24th August 2026

Coyote vs. Acme Review: Beep Against The Machine

Coyote vs. Acme has some big laughs and a sharp message, though they’re blunted by an unfocused, over-extended script.


Coyote vs. Acme sees the fictional ACME Corporation brought to court by its most loyal but disgruntled customer, and the audience is cheering for the under (prairie) dog from the start. Wile E. Coyote  becomes a standard bearer for every Temu customer that doesn’t think twice. Many saw the film’s cancellation as an act of pure greed, while others interpreted it as an attempt...

FILMHOUNDS Magazine • 10th August 2026

Tony (Film Review) — Bland But Digestible

Anthony Bourdain’s life was driven by curiosity. Wherever the great chef and raconteur went on his travels, no matter what restaurants he worked or dined in, his towering demeanour could be humbled by a new taste experience. Tony, an adaptation of the first chapters of Bourdain’s memoir Kitchen Confidential, takes the opposite tack to that of its subject. Matt Johnson’s film is warm and safe, and too bland to capture his indomitable spirit, despite the best efforts of its leading man.

Tony open...

HeadStuff • 26th June 2026

Blue Heron movie review | Memory and Mission collide in 2026’s Best Debut - HeadStuff

“Some things last a long time”, sings Daniel Johnston over the end credits of Blue Heron. Sophy Romvari’s touching debut feature builds on the themes of her short film repertoire to examine a life that sadly didn’t get to last a long time, namely that of her older brother. Blue Heron sounds like it should be a simple airing of dirty laundry but, under Romvari’s considered direction, it becomes something smarter and much more potent.


“I struggle now to remember much of my childhood.” The voice...

HeadStuff • 10th June 2026

Disclosure Day movie review | Spielberg’s Sci-Fi Return Is A Religious Experience - HeadStuff

Steven Spielberg’s name is all over the posters for Disclosure Day. His latest film boasts a starry cast, but he’s the brand. He’s one of the few directors who commands attention in his own right. However, that lauded position does not guarantee financial success (as his last couple of films sadly proved), nor does it mean that his ideas are loftier than anyone else’s. Disclosure Day is a film about the universal desire for truth. As we continue to dig into the depths of  the post-truth age, a r...

HeadStuff • 4th June 2026

‘Documentary will always exist, because we need to understand ourselves’ | Mark Cousins on The Story of Documentary Film - HeadStuff

Mark Cousins is poring over a beaten-up stretch of paper, a schematic to plot the structure of his latest project, The Story of Documentary Film. The paper is as long as Cousins is tall, comprised of several sheets bound together with sticky tape, full of meticulously handwritten notes. In its colouring and wealth of information, it looks like an artefact that’s been taken from a museum. Cousins explains, “I was talking to the great Walter Murch, from Apocalypse Now and all the Coppola films, an...

Loud And Clear Reviews • 25th May 2026

The Black Ball (La Bola Negra) Film Review

The Black Ball is brilliantly made and heartfelt in its ambition, even if it can’t convey its characters’ passion as well as their suffering.


The Black Ball (La Bola Negra) is a pleasantly trickier proposition, at once more conventional and more subversive than its fellow Palme d’Or competitors. Its historical setting and reconciliation to tragedies past screams for trophies, but its era-spanning multiple narratives are burdened with breathtaking ambition. Writer-directors Javier Ambrossi and...

Loud And Clear Reviews • 20th May 2026

Hope (2026) Film Review: A Wild Ride

Forgive Hope its obvious flaws, and a ridiculously fun time will be had with Na Hong-jin’s creative creature feature.


Hope is intense, but it couldn’t be much less cerebral if it tried. Rarely is something so silly made with so much investment by cast and crew. Its flaws are readily apparent, but that makes it easier to overcome them, and just enjoy this perky but prolonged ride. Goodness knows why it’s in Competition, but a press corps left jaded by an otherwise lacklustre lineup to this poi...

Loud And Clear Reviews • 20th May 2026

Minotaur Review: Russia Caught In A Labyrinth

Writer-director Andrey Zvyagintsev returns angrier than ever with Minotaur, his latest excoriation of the authoritarian Russian state.


Scorsese doesn’t always make mobster pictures, and Spielberg isn’t always pining over absent fathers. Andrey Zvyagintsev, on the other hand, can be reliably depended upon to skewer the contemporary Russian political firmament with righteous anger. Minotaur, Zvyagintsev’s first feature since 2017’s Loveless, delivers almost exactly what you’d expect from the ex...

Loud And Clear Reviews • 16th May 2026

All of a Sudden (Soudain): Film Review

All Of A Sudden (Soudain) showcases Ryūsuke Hamaguchi in full-throated expression of his intelligence, optimism, and naïveté.


Hamaguchi sidesteps such accusations by keeping these chats real, and infusing them with warmth, ensuring that the time is well spent. All Of A Sudden (Soudain), his first film made outside Japan, tests the limits of his approach. It’s full of generous and intelligent characters that draw you towards them with their grace, but Hamaguchi is so enamoured with them that h...

Loud And Clear Reviews • 15th May 2026

Fatherland Review: Home Is Where The Heartbreak Is

Sandra Hüller shines in Fatherland, Paweł Pawlikowski’s latest gorgeous journey to find the people and places we call home.


Pawlikowski returns to features after Cold War won him Best Director at Cannes eight years ago, and Fatherland is all about going back to fertile ground, the loving bosom of lands that welcomed you once upon a time. The film opens with Mann’s son Klaus (August Diehl, of The Ice Tower) talking on the phone to his sister Erika (Sandra Hüller, of Anatomy of a Fall), making...

HeadStuff • 23rd April 2026

Mother Mary movie review | Hathaway does Madonna in hollow superstar meltdown - HeadStuff

It used to be that, in times of trouble, Mother Mary came to us speaking words of wisdom. Now, she arrives looking like Anne Hathaway caught in a downpour and approaching a nervous breakdown. Mother Mary is not lacking for compelling imagery but, for all its subverted religious imagery, writer-director David Lowery’s latest tale of a desperate search for identity is closer to “Jesus Christ” than “Yaaasss, kweeen”. 


Stabs at psychosexuality? Flirtations with violence? Award-tickling prestige?...

Loud And Clear Reviews • 20th April 2026

Surviving Earth Review: Pain Is A Drug

With honesty, slick production and a terrific lead, Surviving Earth is a heartfelt and attention-grabbing feature debut for Thea Gajic.


This time is precious, a moment when life seemed good for Vlad, and people in general, free of international strife and a pervading sense of depression. As we learn, Vlad’s had his share of that. A veteran of the Yugoslav Wars of the 1990s, Vlad came to Britain to improve his lot. Feature debut director Thea Gajic paints the world her lead inhabits in bright...

HeadStuff • 17th April 2026

The Wizard of the Kremlin movie review | The Rule Of Law Undermined In Shaky Political Drama - HeadStuff

It’s apt that The Wizard of the Kremlin centres on a theatre director and playwright, as its overwritten and overwrought nature means it would probably play best on stage. Rather than a stage play, director Olivier Assayas delivers a political drama of the kind he’s made before to mixed effect. The Wizard of the Kremlin is itself a mixed bag, though it’ll be interesting to revisit in years to come, to see how much of its power lies in its topicality. Explanations for Vladimir Putin’s continued m...

HeadStuff • 9th April 2026

The Stranger movie review | Camus Can Do, But Ozon Ain’t The Fella To Film This Novella - HeadStuff

The indifference and absurdity at the heart of Albert Camus’ novella L’Étranger don’t scream out for a cinematic treatment, but François Ozon revels in manifesting lofty ideas in a grounded and (sometimes overly) tasteful manner. That’s exactly what we get in The Stranger, a handsome and well-meaning adaptation of Camus’ masterwork that was doomed to struggle to portray the novel’s themes with the same profundity and candor.


“Mother died today. Or maybe yesterday, I don’t know.” The first lin...

HeadStuff • 23rd March 2026

Dead Man’s Wire movie review | Dog Day Afterthought - HeadStuff

In his acceptance speech for the Academy Award for Best Picture, Paul Thomas Anderson cited the phenomenal quintet of films that made up the nominees for that same award in 1975. He mooted that their shared quality shows that the films this year needn’t compete amongst one another for attention and acclaim (though anyone who saw Frankenstein or F1 knows that simply isn’t true). The rebellious spirit of the likes of Dog Day Afternoon informed Anderson’s vision in One Battle After Another, but Dea...

Philip Bagnall • 20th March 2026

Peaky Blinders: The Immortal Man

What are we supposed to do with this, anyway? Did anyone ask for a Peaky Blinders sequel? Fans of the show (This writer included) certainly didn’t, and its arrival on Netflix (following a brief stint in a handful of cinemas, as per Ted Sarandos’ ‘commitment’ to theatrical distribution) invites little beyond a shrug. Contempt would take up too much energy.Peaky Blinders concluded its broadcast run in 2021, with creator Steven Knight wrapping up a multi-year character-driven narrative that saw the...

FILMHOUNDS Magazine • 6th March 2026

The Love That Remains (Film Review) – Love On Ice

The Icelandics were always bound to have a unique and quirky sense of humour. Alien to North Americans, but just too far adrift from the rest of Scandinavia, Iceland lies far enough removed from everywhere to evolve an artistic and comedic sensibility all its own. What a pleasant surprise, then, to find that its process of evolution was entirely convergent. The Love That Remains might play as too wry for some, but the ideas it touches on and the wicked humour on display have universal appeal. A...

FILMHOUNDS Magazine • 22nd February 2026

Menus-Plaisirs, les Troisgros (Film Review) – In-Depth And Delicious

Dining at a Michelin-starred restaurant is often reserved as an experience, something to be savoured because the judges from the tyre company deemed it worthy. Since the three-star hierarchy was established by the Guide Michelin in 1931, few establishments have managed to garner the illustrious full three stars. Menus-Plaisirs, les Troisgros is an attempt to show the ambition and effort that goes into earning and maintaining such a reputation, as the Troisgros family continue to run three restau...

HeadStuff • 19th February 2026

If I Had Legs I’d Kick You Movie Review | Rose Byrne Is One Tough Mother! - HeadStuff

If I Had Legs I’d Kick You opens on a close-up of Linda’s (Rose Byrne) face, and the camera is reluctant to leave her for most of the film that follows. Mothers are often put in an uncomfortable gaze by people who aren’t in their shoes, and Mary Bronstein’s brilliantly paranoid fable manifests that discomfort in terrifyingly vivid detail. Walk a mile in someone’s shoes to know them, they say. If I Had Legs I’d Kick You runs a marathon in Linda’s unsupportive flats while having a panic attack....